{"id":38,"date":"2008-03-30T17:00:56","date_gmt":"2008-03-30T16:00:56","guid":{"rendered":"http:\/\/notes.hapke.de\/?page_id=38"},"modified":"2011-05-29T15:46:43","modified_gmt":"2011-05-29T14:46:43","slug":"references","status":"publish","type":"page","link":"https:\/\/notes.hapke.de\/references\/","title":{"rendered":"References"},"content":{"rendered":"
    \n
  1. \n

    Philip Ball, \t‘Color theory in science and art. Ostwald and the Bauhaus’, Angewandte Chemie (Engl. Ed.),<\/em> 43 (2004) 4842-4.<\/a><\/span><\/span><\/p>\n<\/li>\n

  2. \n

    Ernst \tBloch, Tübinger Einleitung in die Philosophie<\/em> (Frankfurt a.M. 1977).<\/span><\/span><\/p>\n<\/li>\n

  3. \n

    <\/a>Thomas Hapke, ‘Roots of mediating information. Aspects of the German information movement’, in: <\/span>W.Boyd Rayward (Ed.), European \tModernism and the Information Society: Informing the Present, Understanding the Past<\/em> (Aldershot, 2008), p. 307-327.<\/span><\/p>\n<\/li>\n

  4. \n

    <\/a>Wassily Kandinsky, Punkt und Linie zu Fläche: Beitrag zur Analyse \tder malerischen Elemente <\/em>(Bern-Bümpliz 1973).<\/span><\/p>\n<\/li>\n

  5. \n

    <\/a>Mi \tGyung Kim, ‘Wilhelm Ostwald (1853-1932)’, Hyle : International Journal for Philosophy of Chemistry <\/em>12 (2006) 1, 141-148.<\/a><\/span><\/p>\n<\/li>\n

  6. \n

    <\/a>Werner \tKunz and Horst Rittel, Die Informationswissenschaften: ihre \tAnsätze, Probleme, Methoden und ihr Ausbau in der \tBundesrepublik Deutschland<\/em><\/a> <\/em>(München 1972).<\/span><\/span><\/p>\n<\/li>\n

  7. \n

    <\/a>Wilhelm Ostwald, ‘The art of discovery. Making discoveries by rule’, \tScientific American Supplement<\/em> 70, no. 1807 (1910), 123-124.<\/span><\/p>\n<\/li>\n

  8. Wilhelm Ostwald, Natural Philosophy, translated by Thomas Seltzer New York, 1910)<\/a><\/span><\/li>\n
  9. \n

    <\/a>Wilhelm Ostwald, Moderne Naturphilosophie. I. Die Ordnungswissenschaften <\/em>(Leipzig 1914).<\/span><\/p>\n<\/li>\n

  10. \n

    <\/a>Wilhelm Ostwald, ‘Normen’, Jahrbuch des Deutschen Werkbundes<\/em> 3 (1914) 77-86<\/span><\/p>\n<\/li>\n

  11. \n

    <\/a>Wilhelm Ostwald, ‘Die Harmonie der Farben’, De Stijl<\/a><\/em> 3 (1920) 7, 60-62<\/span><\/p>\n<\/li>\n

  12. \n

    <\/a>Wilhelm Ostwald, ‘Warum sind Kristalle schön?’, Hamburger \tFremdenblatt <\/em>94 (1922) No. 150<\/span><\/p>\n<\/li>\n

  13. \n

    <\/a>Wilhelm Ostwald, Die Welt der Formen : Entwicklung und Ordnung der \tgesetzlich schönen Gebilde<\/em> (Leipzig 1922).<\/span><\/p>\n<\/li>\n

  14. \n

    <\/a>Wilhelm Ostwald, ‘Kombinatorik und schaffende Phantasie’ (1929), in: Wilhelm \tOstwald, Forschen und Nutzen. Wilhelm Ostwald zur wissenschaftlichen Arbeit<\/em>, Berlin 1978 (2. ext. ed.. 1982), p. \t28-30.<\/span><\/p>\n<\/li>\n

  15. \n

    <\/a>Wilhelm Ostwald, Die Pyramide der Wissenschaften. Eine Einführung in \twissenschaftliches Denken und Arbeiten<\/em>, (Stuttgart 1929).<\/span><\/p>\n<\/li>\n

  16. \n

    Albrecht \tPohlmann, ‘Wilhelm Ostwald: Farbe im Konflikt zwischen Kunst und Wissenschaft’, Mitteilungen der Wilhelm-Ostwald-Gesellschaft zu \tGro\u00c3\u0178bothen<\/em> 7 (2002) 2, 39-53.<\/span><\/p>\n<\/li>\n

  17. \n

    <\/a> Chanpory Rith and Hugh Dubberly, ‘Why Horst W. J. Rittel Matters’, Design Issues 23 (2007)1, 72-91.<\/span><\/p>\n<\/li>\n

  18. \n

    <\/a> Regine Zott, ‘Friedrich Wilhelm Ostwald (1853-1932), now 150 years young’, \tAngewandte Chemie (Engl. Ed.)<\/em>, 42 (2003) 3990-3995.<\/a><\/span><\/p>\n<\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"

    Philip Ball, ‘Color theory in science and art. Ostwald and the Bauhaus’, Angewandte Chemie (Engl. Ed.), 43 (2004) 4842-4. Ernst Bloch, Tübinger Einleitung in die Philosophie (Frankfurt a.M. 1977). Thomas Hapke, ‘Roots of mediating information. Aspects of the German information movement’, in: W.Boyd Rayward (Ed.), European Modernism and the Information Society: Informing the Present, Understanding […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/pages\/38"}],"collection":[{"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/comments?post=38"}],"version-history":[{"count":3,"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/pages\/38\/revisions"}],"predecessor-version":[{"id":93,"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/pages\/38\/revisions\/93"}],"wp:attachment":[{"href":"https:\/\/notes.hapke.de\/wp-json\/wp\/v2\/media?parent=38"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}